Back in 2008, after looking at photographer Russ Croop’s paintings ably done using the NetSketch and Brushes apps on his iPhone, we wondered how long it would take before this form of fancy finger work hung in art galleries. (An exhibit of fellow fingerpainter Matthew Watkins took place at an Italian Apple reseller in September).
Fast forward 13 months: Croop has a one-man show of 15 works called “Painting Through a Keyhole: the iPhone as Canvas” at the The Dairy Center for the Arts in Boulder, Colorado until February, 12, 2010 and participated in the international offerings at “iPhone Therefore I Am” at the Chicago Art Department that also launched Jan. 8.

Cult of Mac talked to Croop about how he got from iPhone touchscreen to art gallery, the mistakes he made — that every iPhone artist should avoid — and the misunderstandings most gallery goers have when they see his work.
CoM: How did the show come about?
Russ Croop:
The Dairy Center for the Arts has three galleries and hosts different art shows almost every month…It’s supposed to be a pretty exacting juried selection process with several judges from different disciplines. They use a high-tech projector system that times each image so every picture gets equal billing. I submited my iPhone paintings last April 2009 and didn’t find out that I was selected until October 2009.
CoM: How did you decide on the title and theme?
RC: I often compare creating art on the iPhone to painting through a keyhole because when you zoom in to add detail, you can only see a small portion of the “canvas.” This is especially true when using NetSketch.